The exhibition became more than an encounter with Aboriginal art. It prompted a reflection on land, possession, mortality and the brief intensity of human existence beneath forces we neither own nor command. Sol Invictus—the unconquered sun—became the image of that vast order: indifferent to fences, empires and claims of permanence, yet illuminating the fleeting instant in which life acquires meaning.
When gold rises, it isn’t the metal that changes — it’s our faith in money that collapses.
Jesus’ teaching about “rendering unto Caesar” still applies: know the limits of the world, live within them, but let your real wealth lie elsewhere.