Month: July 2026

The books of the Old Testament in approximate order of composition

What if the ancient accounts of creation, divine councils and the gods who governed mankind preserve more than myth? This article compares Psalm 82, Genesis, the Enūma Eliš, the Sumerian King List and the later shaping of the Old Testament to ask whether humanity’s origins—and its troubled relationship with its creators—may have been remembered in distorted form.

Pink Floyd and the Machine

Pink Floyd gave musical form to the anxieties of modern society: conformity, surveillance, war, education, commerce, madness and isolation. Their music reached millions through its atmosphere, virtuosity and emotional force; their words, for those who attended to them, offered a bleak diagnosis of a civilisation whose machinery shapes human beings while calling the process progress. Yet Pink Floyd offered no cure. Their criticism remained inside the system it condemned, leaving the listener to decide what responsibility should follow recognition.

Songlines: Tracking the Seven Sisters

The exhibition became more than an encounter with Aboriginal art. It prompted a reflection on land, possession, mortality and the brief intensity of human existence beneath forces we neither own nor command. Sol Invictus—the unconquered sun—became the image of that vast order: indifferent to fences, empires and claims of permanence, yet illuminating the fleeting instant in which life acquires meaning.

Rousseau, Chateaubriand and the Divided Self

For the French Romantics, the American Indian represented more than an exotic other. He became a symbolic figure through whom Europe reflected on its own condition: freedom and estrangement, nature and civilisation, innocence and loss. In writers such as Rousseau and Chateaubriand, Indigenous America appeared as a world less divided, less artificial and closer to nature, even if that vision often told us as much about European longing as about Native American reality.

The New Boy

Warwick Thornton’s The New Boy presents the forced assimilation of an Aboriginal child as a spiritual desecration. Taken from the freedom of the landscape into a remote Christian orphanage, the boy is clothed, disciplined, named and baptised before he can understand what is being done to him. The only English word he learns is “Amen”: not the language of thought or self-expression, but the language of assent.